Automata 2011 wrap-up; the marathon begins anew.
August 15, 2011 § Leave a Comment
Let’s make this a straight-forward and practical missive! Automata 2011 went beautifully- we have a full-fledged fledgling society in New Orleans. Automata is another lively forum of ideas and inventions, in practice and imagined, that follows in line with the alchemist’s dictum: as above, so below. Digital hackers, academics, garage tinkerers, auto mechanics, cabaret dancers, blacksmiths, scientists, gardeners, carpenters, bartenders, entrepreneurs and architects are all intrinsic to the spirit of Automata and what it brings to life in New Orleans.
Also, we’re truly delighted to be part of the great exhibitions at the Ogden Museum of Southern Art this summer. The Kohlmeyer Circle is working towards including technology-based artwork in the museum environs, and we reap the benefits of a new friendship with the staff of the Ogden. This includes the opportunity to start connecting skilled artists with students who want to understand the possibilities of technology and science outside the requirements of the classroom. We hope to work with the Ogden and other institutions who have built up solid educational networks to connect our artists with students, young and old, who can learn from our interdisciplinary approach to art and science.
Some press from Automata 2011 at the Ironworks
(click bold type for links)
All Automata articles! – from Doug MacCash to NolaVie essays–
Walk-through video of the 1st weekend of Automata by Inside Art writer and Gambit Weekly critic D. Eric Bookhardt!
Nicola Krebill on flickr: Automata 2011
(any others: stories, photos, videos, reviews, please pass them on.)
Everyone who worked their asses off, to fund-raise, to set up, to finish their pieces in the nick of time, and to keep them running. Also thanks to Simeon Coxe (Silver Apples) and Wynn LeVert (Amphibian Lark) for the icing and flourish and essence of the cake, and vicariously, our first real sponsors: Euclid Records, New Orleans and PRESS STREET and the Allways Lounge.
Special appreciation goes to Gilbert Buras of the Ironworks and the true gears and cogs of 2011: James Goedert, Bob Snead, Leslie Selting, Tallulah Elvis Poodle, Ember Soberman, Kourtney Keller, William Kirchheimer, James Weber, Lefty Parker, Mark Koven and the N. Carolina crew, and others I will edit this entry to add ad infinitum for awhile.
Also thanks to everyone who supported us with our insane and intense fundraisers– raffle donors, artwork donors and labor and flavor (like: really good cooking &/or drink making) and time donors; host bars and houses, and EVERYONE WHO SPENT MONEY. ALSO EVERYONE WHO MADE STUFF AND DONATED IT SO PEOPLE COULD SPEND MONEY THAT WE SPENT MAKING AUTOMATA HAPPEN. Thank you.
I’m amazed at and grateful for the enthusiastic support of Automata at our fundraisers and the show– from businesses willing to donate, to strangers, art lovers, and unexpected people who suprised me constantly by their excitement and willingness to drop a dollar and their 13th hour on this show. We have benefited from the positive lessons that the Social Aid and Pleasure Clubs have taught us about how to live well and truly. For Automata to survive as a beneficial organism, we must live up to this inspiration.
There is a lot to plan on for fall of 2012. We have already begun. The tentative anchor month is November (of 2012! do not panic but don’t delay).
We plan this time to bring in a contingent from the west coast- the excuse being: Return of the Swarm!
Give them full freedom to run autonomously and take over planet Earth, so long as New Orleans remains the Mothership. Expanding from our designs on the geniuses of Louisiana, N. Carolina and Texas, this West Coast contingent will allow us to bring in quite a catch.
I’ll post this again, but here is a basic break-down of 2012 plans:
The show will be tri-parted and display locations diverse.
A Rube Goldberg Machine Competition
Automata, weekend one and two
Models and Miniatures (a Kircherianum)
I’ve long included “bio art” in the description of and calls for Automata, but this year we are going to concentrate on including bio-art as it relates to the spirit of this show. As a diversion, and long necessary, we are duty-bound to introduce and host a Rube Goldberg Machine Competition to this region. The rest follows….
If you are in New Orleans and interested in being part of Automata 2012 please leave your contact information- we are about to begin weekly meetings and are looking for people with all kinds of skills and ideas to come on by.